Kevin Ayers Live |
Kevin Ayers Albums > | |||||||||
John Cale flew in to Barcelona from NYC and wouldn't play a note until he'd been paid. The camera crew had to stop work by about 1400hrs because of union rules, so RTVE had people desperately scurrying out to banks to get cash. It was getting close to time and Kevin was pleading with Cale to get started. I remember him saying 'RTVE is practically a government agency ... it's not going to not pay you' but Cale did not concur and stuck to his position. Eventually, the dosh arrived and I have NEVER seen anyone put a band together as fast as Cale did that day. Heartbreak Hotel was absolutely electrifying. - Jerry Hart Yes, Cale when told that RTVE was a Government agency, only strengthened his resolve not to budge until he had been paid in US Dollars. I recall him stressing to me that Government agencies were NEVER to be trusted. After the taping of the show I had the job of minding Cale for the next 36 hours or so....Phew!!! - Ian Carpenter
I was gigging regularly with Kevin in the late 60s/early 70s the gigs would be totally unpredictable and that's what attracted me to his music in the first place I guess - the fact that there was no set pattern to what would happen. I recall one gig where I was soloing and spotted Kevin gesturing me to end the solo so I stopped and Lol Coxhill said 'why are you stopping?; I pointed to Kev and Lol shouted 'oh don't take any notice, you carry on!' Since two or three others were also soloing at the time I stepped away!" - John Altman Let There be Drums! 'Starvin' Marvin Siau has unearthed a marvellous clip of Kevin Ayers from Belgian TV in 1982. The members of his touring band decided to play musical chairs with the instrumentation. This resulted in Ollie being reunited with his first love, the drum kit . Whilst girlfriend Zanna Gregmar does a Hendrix impersonation with his Gibson SG guitar. "Kevin would play on any piece of wood that 's in tune and to save time in between gigs play on the same gear as the band before, " says Marvin. "It encouraged me to play without pedals on an odd instrument in uncomfortable circumstances sometimes, see how long I would hold out, hihi, learned a lot from that!" Bassist Bolle Gregmar recalls: " We all switched around on the instruments because Ollie didn't care to pose for a guitar solo he wasn't actually playing, so He's on Drums, Zanna on wicked Guitar, and Pedro Colom [bass player] on keyboard and me [drummer] on bass. We
did the whole thing in one real take and one rehearsal. wish it were
better quality. but This is a fun moment in the Bruxelles TV station.
On that same Billing were The Jam and they did A Town Called Malice.
There was a guitar incident with a forgotten Rickenbacker 12-string
for Paul Weller and he refused to even play Kevin's 6-string Rickenbacker
which was offered. So the result was that Mr Weller performed in the
video sans guitaire."
Thanks to 'Starvin' Marvin Siau Playing with someone like Ollie makes the whole tedious process of going out on the road worthwhile." - Kevin Ayers Kevin Ayers memorial plaque laid in the churchyard at Deia, Mallorca, 16 August 2003 The incription along the bottom reads, "Well, that was something, as opposed to nothing." For more information about Kevin Ayers, please visit:
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Kevin Ayers and The Soporifics • Live 1974-1975 |
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Rainbow Theatre, London 1.6.74 Hyde Park, London 29.6.74 Nottingham University 11.74 |
BBC Radio (Rock On) 11.11.74 Manchester
Free Trade Hall 15.11.74 Paris Salle Wagram 24.2.75 [Radio] BBC Radio 27.3.75 |
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Kevin Ayers live |
1980-1982 | |||||||||
Hurrah's Club New York One of the rare live shows with Ollie playing a Gibson Les Paul Junior with an extraordinary 'violin' tone. Trax, New York 9.5.80 The other rare show! Not as good sound as Hurricanes. Only known live versions of Take Me to Tahiti and The Hat Song Hurrah's Club, New York, May 1980 It was the Gibson Les Paul Junior guitar , pictured here, that was responsible for the extraordinary 'violin' tone[previously assumed to be a Fender Stratocaster] present on the New York recordings. |
Puerto de Soller, Mallorca • May I Recording © Miguel Coll
Photo: Ian Carpenter Venlo 5.4.82 German Radio broadcast 11/3/82. Very good quality 'audience' recording. This show has been issued as abootleg CD Sweet Dreamer - so DON'T buy it! - listen online to better quality versions here. |
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Kevin Ayers live |
1986-1988 | |||||||||
Deia Parke Municipal Rotterdam De Lantaren A quite staggering funk version of Didn't Feel Lonely, with an incredibly inventive solo building to a wonderful `chickin pickin' climax. Amsterdam 4.3.88 Tilburg 6.3.88 Zeche, Bochum 8.3.88 Munich 10.3.88 Aachen 13.3.88
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Leiden, Holland A rare complete Am I Really Marcel together. Elsewhere, Ollie throws the Superstition riff into Didn't Feel Lonely. Recording courtesy of Joerg Reinicke London,
Queen Elizabeth Hall 28.3.88 Kyoto or Mido Kaikan Hall, Osaka Tokyo 21.12.88 Poor sound for most of the recording, but one track [Champagne & Valium] that contains what must rank as one of Ollie's finest ever solos! Tokyo show is Included in the bootleg CD Spanish Troubadour Fukuoka 23.12.88 |
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Kevin Ayers |
1992 | |||||||||
Bordeaux 6.4.92 © Roy Wood Paris 4.92 © Roy Wood The Elderly Brothers A rare acoustic session from Kevin and Ollie [on borrowed right-handed guitar] Thanks to Jorge Souto Bartolomé Richard Skinner Show (GLR) 30.4.92 Amsterdam Paradiso © Roy Wood Cheval Blabc, Shiltigheim, Strasbourg 14.4.92 Dortmund 21.4.92
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Bonn Jazz Galerie Again, basically the whole show but particularly Don't Depend on You. I'm not ashamed to admit to the odd tear during the final notes of the solo on this now exquisitely ironic piece. Not as good a sound as Rennes but my favourite concert overall. By the way, how many of you geetar players have managed to master the deceptively simple riff in Here Comes Johnny. © Roy Wood London, Shaw Theatre 28.4.92 • Feeling This Way London,
Shaw Theatre 30.4.92 |
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Full Ayers/Halsall concert recording list from |
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Quique Villafañe |
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I was the drummer in Kevin Ayers' band on the 1992 Still Life With Guitar tour and had the privilege of playing with the great Ollie, although it wasn't the first time I played with him (before that, we did a Spanish TV video and some concerts in Spain with Kevin Ayers' band). Ollie played awesome during the tour, I couldn't believe my ears.The band sounded great most of the time (there was Claudia Puyó on keyboards and vocals and Marcelo Fuentes on bass). Roy Wood, the road manager, recorded all the concerts. Unfortunatly, the tapes were stolen in Paris, while we were having dinner at a restaurant. [The Archive does hold some of the recordings courtesy of Roy Wood - Ed.] Ollie was such a humble person, he never used to talk about himself or the people he had played with. Actually, I learned all about his career after his death. We got along very well. He used to come every time we played in Madrid with Claudia's group (Los Románticos de Artane). Kevin's tour finished in London (Bernard Shaw theatre). I remember Ollie (and us) singing some daring lyrics to a famous opera leitmotiv, during dinner at a London restaurant. |
A couple of days before coming back to Madrid, Ollie took Claudia and I to an Indian restaurant and after that he called a taxi and took us to see London Bridge and Tower Bridge. It was late at night and there was nobody around. It was a foggy night and the scene was very oneiric. Ollie told us about the 1666 Great Fire of London. I think it was his way to say goodbye to us, although he wasn't aware of it. We were so shocked when he died, we couldn't believe what was happening, we had had great moments playing together during the 30 day tour. Now I can say I feel better sharing these memories with Ollie's fans. I'm one of them. Quique Villafañe, Madrid 2012 Besides his work as a teacher at the Escuela de Música Creativa, Quique is working in a project with his own compositions, mixing instrumental music, mixing and rhythms from North, Central and South America. |
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Kevin Ayers Live |
Kevin Ayers Albums > |
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