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y viva Espana
CinemasPop
Continued

 

The Rutles 2008

CINEMASPOP
Something About You

 

The Rutles 2008

CINEMASPOP
Following the Blonde

 

The Rutles 2008

CINEMASPOP
One More Heartache

 

The Rutles 2008

CINEMASPOP
Changing Ground

 

CINEMASPOP
Zorba el Griego
1983

CINEMASPOP
Sal Gorda
1983

CINEMASPOP
We Love You, Marilyn
1984

CINEMASPOP
Following the Blonde
1984


 

Ollie singing an inspired vocal on "Following the Blonde" which was our big hit song in 1984 in Spain. He rips a bit of a solo too  Looking at this I can see why Ollie called me "Thunder thighs" ha ha.

This was the last version of Cinemaspop, we were trying to change the direction more towards Rock and did so quite unsuccessfully!! People really liked the "Techno stuff" and wouldn't "Follow the Blonde when she turned into a Brunette"

I remember going to this gig in a taxi. We only had a handful of cash which I had counted, so I asked the driver to take us on a specific route to the gig because we could only pay X amount.

The driver completely ignored me (being a female in a macho country, but Ollie's Spanish wasn't very good so I always had to talk) and he chose the scenic way. I asked him if he intended to take us for free since he had over-extended the specified amount. A lot of Spanish expletives and handwafting was exchanged between myself and the driver as I forced him to stop the taxi and threw him the money. 'Hassle' and I walked the last five minutes to the gig. Ah -Those were the days!

Zanna Gregmar 2013

Regarding the 'tin foil trousers [video above] They were mine. Ollie always borrowed my clothes for stage. On the occasion above I was in Sweden so the receptionist at the recording studio had studied me and practised pretend keyboards on her ironingboard so she could then stand in for me. How very flattering Those were the days.

- Zanna Gregmar

Zanna Gregmar: Lead Vocal
Ollie Halsall: Guitar|Vocal
Jorge 'Flaco' Barral: Bass
Manolo Jiménez: Drums

Thanks to Jorge Souto Bartolomé and drummer Manolo Jiménez for these remarkable videos

 

Photos: Kenny Barral

Zanna's pianojacket
I designed and made this in black silk with full sized keyboard real sized Keys and the Zanna band logo on the back. 1980. The reason I am climbing a London traffic light (while Ollie Halsall was looking out for the police) was to make a sleeve for the single "Stop, Stop Stop. It was only released in a small quantity with a brown paper sleeve hahaha. So much for the acrobatics - Zanna Gregmar 2016

CinemasPop were a 'Techno' group formed by Javier de Juan (electronic drums, etc.), Manuel Aguilar (bass, etc), Carlos Garcia Glass (polyphonic guitar, Vocoder, MS-20, etc.), Joaquin Montoya (multiple keyboards, etc.), Eddy Guerin ( PPg-Wave, piano), Zanna (voice), Guinea (vocals) and Ollie Halsall (guitar).

Cinemaspop 1983

We Love You, Marilyn Part 1

Zorba El Griego

El Pequeño Elefante

James Bond Theme

Los Cañones De Navarone)

Casablanca

Los 7 Magníficos

Exodo

El Bueno, El Feo Y El Malo

El Tercer Hombre

We Love You, Marilyn Part 2

An inexplicable collection of instrumental film themes, apart from We Love You Marilyn, a Halsall/Gregmar composition and vocal.


Sal Gorda [film soundtrack] 1983

sal gorda

The soundtrack iis a compilation of tracks by various artistes:

Hace Mucho Calor Para un Ingles

(Ollie)

Someone is Waiting

(Ollie and Zanna)

Sal Gorda (instrumental)

(Cinemaspop)

Entra En Mi Cuerpo, Sal De Mi Vida

Alguien Que Vive Sola

Escape Mental

Me Acaricio Cuando Pienso En Ti

Elitis

(Zanna)

Tigre Bengalí

(Tino Casal)

Danza Invisible

Sin Decir Adió

Sal Gorda


Swedish magazine interview

Ugly Things magazine

Zanna's Cool School of Singing

Spanish magazine interview

www.zannagregmar.com

La Naranja Mecanica
[A Clockwork Orange] 1984

Afghanistan

Clockwork Orange

Following The Blonde.

Let's Go To The Movies

Walking In Your Sleep

Wild Thing

Sigan a Esa Rubia (Follow the Blonde) (45) 1983

sigan a esa rubia

La Naranga Mechanica was recorded at Audiofilm and Tape One, London with producer Julian Ruiz. Algora Montxo drew the logo and folder design was made ​​by Margarita Caraballo.

Apart from a bizarre Wild Thing, it features Halsall written and performed material throughout.

The music is almost entirely sequenced & synthesised, with very little guitar. Halsall appeared very enthusiastic about this particular project describing them as "a great band".

OK it's techno-pop, but I've not heard it done better.

cinemaspop

The Rutles 2008

Changing Ground ['Radio Edit']

Ollie wasn’t an easy person to work with, but though many geniuses aren’t. He was a multitalented person, he also had an artistic side and painted and drew pictures. He was a multi-instrumentalist who could pick up any instrument and start playing it. At the same time he had a completely weird sense of humour and constantly made up practical jokes. He always found a way to make people laugh during travels.

"But he also had quite a temper and was a perfectionist who had incredible demands on his fellow musicians. The reason one could stand working with him was that the result always turned out to be so good, Zanna, who today works as a singing teacher in England, says. – Ollie could write songs quickly if it was requested. We had a group in Spain called Cinemaspop and in preparation of our second album, the producer, a character we called 'Dracula', constantly demanded new songs. So we ended up writing 35 songs in one week! Ollie could always rely on his creative force in all situations!

"He loved all kinds of music, even opera. I remember flying with him to the U.S. where Ollie sat with a walkman on, and all of a sudden exploded loud and clear in 'La donna e mobile' so that all passengers gloated at him! He often lived in a world of his own, kind of in another dimension. .

 

 

"The coolest thing with Ollie’s way of playing was that he in the middle of a solo could completely leave the key of the song just to return right at the end of the solo. It left chills in your body! My best memory of Ollie was when we had a sound check in Majorca when backing the first punk rocker in Spain, Ramoncin. Ollie checked his sound and suddenly went into a guitar solo which made people’s hair stand at ends. Right at that moment his amp caught fire and started to burn. Everyone said that was “the hottest guitar solo ever played”!"

Zanna Gregmar 2008

Ollie had many strange what he called "strategys" in music...things like leaving out the fourth snare beat in a bar to bring more life into it? And then when it came to songwriting and lyrics... The first song we wrote together was when we quickly need ed a b side for my single and we threw "Don't run away" together very quickly... Verse two starts : 'I've been trying to get through to you for such a long time, but now it seems the night time is not the right time' -because it was" too obvious" to say the night time is the wrong time and rhyme with 'long time'... he was full of ideas like that.. trying so hard to stay away from clichees....Hahaha the arguments we had...

Zanna Gregmar 2013

Photos: Kenny Barral

It's Esteban Cabezos next to me (we nicknamed him 'Willie' cause he looked like Willie de Ville)and then the drummer Arturo, who is also no longer on this Earth from what I have gathered will get back to you with his full real name." - Zanna Gregnar 2016


Zanna in Deia 2013

 

 

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